卡拉齐家族(Carracci family)
义大利绘画世家。安尼巴莱.卡拉齐（1560～1609）是波隆那和罗马反矫饰主义运动中最杰出的画家。1580年代和他的哥哥、堂兄在波隆那创立一所培育艺术家的学校，名为启迪学院。他擅长画湿壁画和大型宗教祭坛画，但在想像风景画、风俗画和讽刺画方面也是开路先锋。他为法尔内塞宫所作的湿壁画装饰门廊（1597～1601），以奥维德的爱情寓言为题材，是大师级的作品，不久即成为青年画家们真正必不可少的研究对象，直至18世纪开始很久还是如此，对他们而言这是一个特别丰富的启示源泉。其兄阿戈斯蒂诺（1557～1602）曾辅助他装饰法尔内塞门廊，但主要以教学和雕刻着名。他的解剖研究用来辅助教学达两个世纪之久。他的堂兄洛多维科（1555～1619）曾在各种受委制的湿壁画工程与他们分工合作。洛多维科在两个堂弟到罗马发展後，主持启迪学院，其作品热情而带有诗意，训练出年轻一辈的波隆那杰出画家，如雷尼、多梅尼基诺和阿尔加迪。参阅Bolognese school。
English version：
Carracci family
Family of Italian painters. Annibale Carracci (1560-1609) was prominent in Bologna and Rome in the movement against Mannerism. In the 1580s, with his brother and cousin, he founded a teaching academy in Bologna, the Accademia degli Incamminati (“Academy of the Progressives”). He specialized in fresco painting and monumental religious altarpieces, but was also a pioneer in the development of ideal landscapes, genre subjects, and caricature. The fresco decoration of the Gallery of the Farnese Palace in Rome (1597-1601), comprising scenes from the loves of the gods, remains his masterpiece; it was indispensable as a source of figure design and technical procedure for young painters into the 18th century. His elder brother, Agostino (1557-1602), assisted him in decorating the Farnese Gallery but was known primarily as a teacher and engraver; his anatomical studies were used as teaching aids for nearly two centuries. His cousin Lodovico (or Ludovico) Carracci (1555-1619) collaborated with them on various fresco commissions. He directed the academy in Bologna after his cousins had gone to Rome, produced works of a passionate and poetic quality, and trained some of the major Bolognese artists of the next generation, including Domenichino, Guido Reni, and Alessandro Algardi. See also Bolognese school.